Previously owned Dispatch Master Delay Reverb Guitar Effect PedalThis pedal is in very good cosmetic condition with a few chips in the finish.
Dispatch Master is one of our favorite devices at EQD, and remains our
top-seller to this day. Pick one up, and you’ll know why.
digital delays up to 1.5 seconds without nasty self-oscillation.
Luscious reverbs that seem to last forever, like a collect call from
beyond the fourth dimension. Ethereal ambient soundscapes that drift off
into outer space like a psychedelic shooting star. Over ten thousand
pickers, grinners, heshers, singers, shredders, ivory ticklers,
trumpeters, bassists, and synthesists use the Dispatch Master to make
and receive music in all genres - anything from thick swatches of
reverb and delay, to a quick chicken-pickin’ slapback, or even just to
add a little bit of room sound to a signal that’s a tad dry.
delay signal is clear and strong, with no gross digital artifacts or
tonal degradation. The reverb is massive and cavernous. With a twist of
the “Mix” knob, you’ll hear everything from subtle ambient spaces,
making the Dispatch Master a useful “always on” pedal; to cavernous
reflections and echoes with near-infinite repeats.
Master is designed to be a little more hi-fi than the Ghost Echo or
Levitation, for those players looking for clean, articulate time-based
effects in a versatile yet still compact footprint. The Delay and Reverb
effects may be used separately or in tandem. You just have to answer
The Dispatch Master is true bypass, and built one at a
time by retired telephone switchboard operators in Akron, Ohio, USA, the
Clark Kent of the Midwest.
The Dispatch Master uses silent relay-based soft touch switching. Audio will not pass without power.
Time: Sets the delay time, from 0ms to 1.5 seconds.
the regeneration of the delayed signal. Also acts as a enhancer for the
reverb. In reverb mode this will control the thickness, decay, depth
and overall nature of the reverb.
Reverb: Clockwise for more reverb, counterclockwise for less.
Mix: Adjusts the over all level of the effected signal.
use as a reverb only, turn the time control all the way down and adjust
the reverb and mix controls to taste. In this mode, the repeats control
can be used to enhance the thickness, decay, depth and overall nature
of the reverb. With the reverb control at its maximum setting, the
repeats control will gradually overload the effect at higher settings.
To use as a delay only, turn the reverb control all the way down and adjust the time, repeats and mix controls to taste.
To use both effects in unison, adjust all controls to taste.
True bypass and hand made one at a time in landlocked Akron, Ohio.
4.37" X 2.37" X 1.75" with knobs
pedals take a standard 9 volt DC power supply (NOT INCLUDED) with a 2.1mm negative
center barrel. We always recommend pedal-specific, transformer-isolated
wall-wart power supplies or multiple isolated-output supplies. Pedals
will make extra noise if there is ripple or unclean power.
Switching-type power supplies, daisy chains and non-pedal specific power
supplies do not filter dirty power as well and let through unwanted
noise. Do not run at higher voltages!
Current draw is 60 mA.